The Yiddisher Boy, His People 4 The Jazz Singer EA 76-92, The Al Jolson Story, RESPONSE PAPER #3 DUE Raphaelson ÔJazz SingerÕ remakes, Jazz Singer (1927) Overture to Glory 5 Yiddish film and radio EA, ; selections from Yiddish broadcasts 6 Hollywood and anti-Semitism EA 45-75 Crossfire, The Great
https://www.associationforjewishstudies.org/docs/default-source/pedagogy/syllabi/8910b1c6bedb758167ada2c3ff000061f370.pdf?sfvrsn=1d42d906_2Russian Jewish Journal Dalia Wolfson PDF “A velt mit veltlekh,” goes the Yiddish expression, ) was an exceptional anthology of translated Yiddish-to-Russian and original Russian literature. A collection of pieces by Jews and non-Jews, Evreiskii Mir counted among its contributors Yiddish, such as Valery Bryusov, Vladislav Khodasevich, and Jurgis Baltrusaitis. While Hebraists and Yiddishists staked, of Yiddish literature into Russian.i Detail of stationary logo from a letter Andrei Sobol wrote
https://www.associationforjewishstudies.org/scholars-insights-on-art-a-world-with-worlds-in-evreiskii-mir-a-1918-russian-jewish-journalUniversity Press View Video Yiddish Writers in Weimar Berlin: A Fugitive Modernism Marc Caplan Indiana, , and Commentary Gail Labovitz Mohr Siebeck View Video London Yiddishtown, East End Jewish Life in Yiddish Sketch and Story, 1930–1950: Selected Works of Katie Brown, A. M. Kaizer, and I, Institute of Mediaeval Studies View Video The Yiddish Stage as a Temporary Home: Dzigan
https://www.associationforjewishstudies.org/2021-ajs-honors-its-authors, overwhelmingly, European-born and Yiddish-speaking—today they would be characterized as Haredi. Bloom later, , October 16, 1943; Shlomo Grodzensky in Yiddisher Kempfer, O c t o b e r 1 5 , 1943. from, to the complaints of their opponents. It also helps clarify why the Yiddish-language press—by its very nature, h e p rotest “a grand and glorious demonstration.” In the Yiddish Kempfer, a colum- nist asked
https://www.associationforjewishstudies.org/docs/default-source/ajs-perspectives/protest/ajs_perspectives-protest-issue-medoff.pdf?sfvrsn=701f5aa1_3performance of My Yiddishe Mama from postwar American radio to 1970s Algeria — Salim Halali performed the Yiddish song on Algerian TV in 1971, a performance now on YouTube that, when juxtaposed with Maier’s
https://www.associationforjewishstudies.org/publications-research/ajs-news/memories-motifsYadin Rutgers University Yiddish Studies Kathryn Hellerstein University of Pennsylvania Modern, Narratives in Yiddish and Hebrew Adams 3.8 Jewish Culture after WWII 4.7 Urban Encounters, Studies 4.9 Imagining the Ten Lost Tribes Essex North East 3.11 Yiddish Moderns 4.10, Community Essex North West 5.9 Yiddish Travel Writers Essex North Center 5.10 Breaking New Ground, America Ballroom North 10.2 Jewish Cyberculture Staffordshire 10.3 On the Relevance of Yiddish
https://www.associationforjewishstudies.org/docs/default-source/conference-files/ajs-conference-program-books/prog10.pdf?sfvrsn=7ccbdb06_4in the Yiddish language. When it launched in 1931 to celebrate the seventieth birthday of the Russian, , Yiddish cultural activists, and political fgures from Europe, the United States, Palestine/Israel, South America, South Africa, and Australia. It brought together Yiddishists and Hebraists, in Berlin decided to launch a Yiddish-language encyclopedia for the roughly nine-to-ten-million Yiddish readers in the world. Their goal was to provide an encyclopedia that could serve as a tool
https://www.associationforjewishstudies.org/docs/default-source/ajs-perspectives/unfinished/ajs-perspectives-unfinished-trachtenberg.pdf?sfvrsn=7ef79106_2at the YIVO Institute,ii the center for the study of Yiddish language and culture. Known as the capital of Yiddishland, in the interwar years Vilna was a hub of modern Yiddish culture and innovative Jewish life and arts—home to Yung Vilne—a group of young Yiddish writers and poets that included Avrom, rabbi known as the Vilna Gaon, eminent artist Marc Chagall, and prominent Yiddish poet Avrom, . i Fentster is the Yiddish word for “window.” The artist-run gallery is located
https://www.associationforjewishstudies.org/scholars-insights-on-art-what-will-remain-broken-art-for-a-broken-worldof Yiddish language and culture. Known as the capital of Yiddishland, in the interwar years Vilna was a hub of modern Yiddish culture and innovative Jewish life and arts—home to Yu n g Vilne—a group of young Yiddish writers and poets that included Avrom Sutzkever. Davidovitz’s project was named, rabbi known as the Vilna Gaon, eminent artist Marc Chagall, and prominent Yiddish poet Avrom Sutzkever, installation at FENTSTER. Photo by Morris Lum — i Fentster is the Yiddish word for “window.” The artist-run
https://www.associationforjewishstudies.org/docs/default-source/ajs-perspectives/art-issue/tauben-ajs_perspectives_fall_2021_web-25.pdf?sfvrsn=f0351e76_6sponsored by Yiddish organizations, the Folkshulen organizations like the Workmen’s Circle, and different labor unions or fraternal organizations sponsoring camps for Yiddish-speaking youth, or children who were born to Yiddish-speaking parents. So these kids, in the beginning, in the Progressive Era, already spoke Yiddish, but they would come and they would better their Yiddish, or that would, with a Zionist or a Yiddishist movement, like Camp Cejwin, Camp Modin, and that's the milieu of the Jewish
https://www.associationforjewishstudies.org/podcasts/adventures-in-jewish-studies-camp!-transcriptclose to native speakers of Ukrainian, Russian, and Yiddish. Ukraine—not just poets, , and was interested in Yiddish. She has written about the historical accidents that led some of her ancestors, of nationhood toward one defned by citizenship. I began to study Ukraine because of my study of Yiddish. Ukrainian and Yiddish literature have striking parallels, both because of their long coexistence as marginal imperial subjects, and also because Ukraine, like the proverbial Yiddishland, has been mapped
https://www.associationforjewishstudies.org/docs/default-source/ajs-perspectives/justice-issue/ajsp-justice-issue-glaser.pdf?sfvrsn=98c480ba_3, Russian, and Yiddish. Ukraine—not just poets, but the country—has been sending a humanitarian aid kit, , she told me, and was interested in Yiddish. She has written about the historical accidents, because of my study of Yiddish. Ukrainian and Yiddish literature have striking parallels, both because, Yiddishland, has been mapped by poets more than military borders. “When I die, let me rest, Press, 2012) and Songs in Dark Times: Yiddish Poetry of Struggle from Scottsboro to Palestine
https://www.associationforjewishstudies.org/contemporary-in-justice-more-than-war-songs-what-ukraine-s-poets-teach-us-about-language-and-community(90 minutes; Yiddish with English subtitles), courtesy of the National Center for Jewish Film. See, Yiddish Studies Kathryn Hellerstein University of Pennsylvania Modern Jewish Literature and Culture, in Yiddish Literature Sherman Oaks 1.11 Impact of WWII on Czech-Jewish Identity 2.12 Jewish, Audience and Language in Yiddish Literature Sherman Oaks 7.12 Jews in the High and Later Roman
https://www.associationforjewishstudies.org/docs/default-source/conference-files/ajs-conference-program-books/prog09.pdf?sfvrsn=78cbdb06_43.9 IsraelStudies 3.1 ModernHebrewLiterature 2.9 Sephardi/MizrahiStudies 2.9 YiddishLiterature
https://www.associationforjewishstudies.org/docs/default-source/surveys-of-the-profession/ajs-2008-survey-report.pdf?sfvrsn=b1fcdb06_4YIDDISH LITERATURE Kathryn Hellerstein University of Pennsylvania Marsha L. Rozenblit, Academy of Sciences) “Citizens of Yiddishland: Portrait of a Generation” HANNA WEGRZYNEK (Jewish, Transnational Perspectives in Modern Jewish History 4.8 Canadian Perspectives on Yiddish Translation 9, / Historiography of Medieval Jewish Philosophy 7.11 Yiddish Teaching in North American, Studies Directors Dominion North 8.4 Yiddish Prose: Old & New 9.4 Riding the Waves of Feminism
https://www.associationforjewishstudies.org/docs/default-source/conference-files/ajs-conference-program-books/prog07rv.pdf?sfvrsn=60cbdb06_4Wilder’s Ace in the Hole Panel 9 Yiddish and Hebrew in America Zoom C Chair: Sharon Oster, Women Writers in America Alan Levenson, University of Oklahoma Forgotten Yiddishist: Maurice
https://www.associationforjewishstudies.org/docs/default-source/events/scheduling-for-wjsa-conference.pdf?sfvrsn=1e6a9206_2and Culture Beth Berkowitz Jewish Theological Seminary Aaron Panken HUC-JIR Yiddish Studies Marc, Directions in Medieval Jewish Culture Arkansas 3.14 Linguistic Issues in Hebrew 4.14 Yiddish, Maimonides: The Inexhaustible Source Arkansas 5.14 Yiddish in Transnational Contexts: Tw e n t i e t h, :YiddishWritersinAustraliaandtheQuestionofRace DavidSlucki(MonashUniversity) SouthernJews,theHolocaust,andJimCrow
https://www.associationforjewishstudies.org/docs/default-source/conference-files/ajs-conference-program-books/ajs2012programbook.pdf?sfvrsn=74cbdb06_4 26 | AJS PERSPECTIVES | SPRING 2022 ALONA BACH A digitale rayze / A Digital Journey (Shidlovtse Yizker-bukh) Alona Bach. A digitale rayze / A Digital Journey (Shidlovtse Yizker-bukh), 2021. Digital. ALONA BACH is a PhD student in MIT's Program in History, Anthropology, and Science, Technology, and Society (HASTS). Her research focuses on the interwar intersections of electricity and Yiddish life
https://www.associationforjewishstudies.org/docs/default-source/ajs-perspectives/travel-issue/ajs_perspectives-travel-issue-web-bach.pdf?sfvrsn=25c79302_3All Times Are Eastern Standard Time Tuesday, December 6 2 pm Mark Kligman, "Continuing Evolution: Yiddish and Klezmer Music Today," YIVO and the Milken Center, Meeting Registration - Zoom 2:30 pm Assaf Banit and Shay Hazkani, "Film Discussion: The Soldier's Opinion," George Washington University, https://forms.gle/hbP1st8viyUG9TXFA 3 pm Roly Matalon and Elie Spitz, "Creating Eternal Moments," Orange County CSP, Meeting Registration - Zoom More Bnai Binge online programming
https://www.associationforjewishstudies.org/about-ajs/press-room/news-events/events-detail/2022/12/07/default-calendar/b'nai-binge-streaming-programming-list-for-december-6-2022-by-laurie-baron-and-beth-chernoffAll Times Are Eastern Standard Time Tuesday, January 24 12:45pm Joshua Picard, "The Precedents and Origin of Djerba's Or Torah Fund" Tauber Institute, Meeting Registration - Zoom 1pm, Vivi Lachs, The Portrayal of Gentiles in Sketches from the London Yiddish Press, register at yivo.org/Good-Goy-Bad-Goy More Bnai Binge online programming listings
https://www.associationforjewishstudies.org/about-ajs/press-room/news-events/events-detail/2023/01/25/default-calendar/b'nai-binge-streaming-programming-list-for-january-24-by-laurie-baron-and-beth-chernoff